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Latitude: 51.3484 / 51°20'54"N
Longitude: 0.0354 / 0°2'7"E
OS Eastings: 541841
OS Northings: 163002
OS Grid: TQ418630
Mapcode National: GBR MZ.TV5
Mapcode Global: VHHP9.KCKN
Entry Name: Keston Parish Church
Listing Date: 10 January 1955
Source: Historic England
Source ID: 1064343
English Heritage Legacy ID: 358407
Location: Bromley, London, BR2
Electoral Ward/Division: Bromley Common and Keston
Built-Up Area: Bromley
Traditional County: Kent
Lieutenancy Area (Ceremonial County): Greater London
Church of England Parish: Keston
Church of England Diocese: Rochester
785/12/56 CHURCH ROAD
KESTON PARISH CHURCH
The present church is C12 in origin, and the chancel is early C13. It was restored in the C18, restored and enlarged to the W in c.1880 by Henry Blackwell, the N porch was added in 1883, and the E wall was rebuilt in the 1950s.
Flint rubble with stone dressings. Tiled roofs.
Nave with N and S porches and W bellcote with continuous chancel; large L-shaped complex of modern parish rooms to SW joined to the nave. The remains of a former S tower were discovered in the mid C20.
Nave W window C19 with reticulated tracery. Above it a small stone bellcote with a timber louvered bell-chamber, running along the roof ridge. The nave roof has two small polygonal vents. Nave N wall has three single light windows with trefoiled cusping. Timber N porch on dwarf brick walls, dated 1883 The C13 N door has moulded orders and capitals. S nave wall has two single light windows with shouldered segmental heads, probably C18 in origin. The eastern window is set within blocking for the former SE tower arch. The ends of the former tower walls have brick quoining. The C13 S door is now within the vestibule to the parish rooms complex and was unblocked to provide access to the parish rooms from the nave. Late C20 parish rooms complex in keeping with the rest of the building. The chancel has two cusped lancets on either side, partly renewed. The chancel E wall was rebuilt in 1950 following WWII bomb damage, and the E window is a single, large light with a slightly pointed head, replacing an earlier window of 2 lights. The church rooms on the SW were added in 1992.
The late C12 or early C13 chancel arch is pointed and has a single, chamfered order on chamfered imposts. The former S tower arch has an unchamfered order on an impost with a carved head of the C12. Timber W organ gallery of 1733, lengthened and rebuilt in 1880 when the nave was lengthened. Former vestry is now incorporated into the vestibule to the parish rooms.
C13 trefoiled piscina in chancel. Chancel panelling with blind tracery panels, after 1883. C18 painting of Moses, formerly part of a pair with Aaron from an altarpiece. Royal arms in the style used after 1837, painted on leather and framed.
Stained Glass: Love by Morris and Co, 1909. Fragments of the matching Faith, Prayer and Hope, damaged during WWII are reset in the W window. Chancel windows 1952 by James Blackford.
Monuments: George Kirkpatrick, d. 1838, a Grecian wall tablet, and a small metal coffin plate for John Pepys, d. 1749, brother of the diarist Samuel Pepys.
SUBSIDIARY FEATURES (IF APPROPRIATE)
Mrs Dinah Maria Craik (née Mulock, 1826-1887), well known mid C19 writer and author of 'John Halifax, Gentleman' (1856) is buried here.
There is evidence for Roman and Romano-British settlement at Keston, and apparently Romano-British graves were discovered under the chancel E wall during excavations in 1950. Keston is in Domesday Book, but the church itself is not, and the present structure is Norman in origin.
Lambeth Palace Library, Incorporated Church Building Society papers, ref. 08548
Pevsner, N and Cherry, B, The Buildings of England: London 2: South (1983), 186-7
Anon., Church guide (n.d.)
REASONS FOR DESIGNATION
Keston Parish Church, Keston, is designated at Grade II* for the following principal reasons:
* Very good C12 and C13 fabric with alterations of the C18, C19 and C20.
* Distinctive belfry and attached timber chamber.
* Sensitive post- WW2 restoration.
This text is from the original listing, and may not necessarily reflect the current setting of the building.
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