Description

TQ 2881 SW MANDEVILLE PLACE
55/101
Nos 11 and 13 Trinity
College of Music
II
GV

2 terraced houses converted to a college of music. Houses c1875; converted c1921-22
with a new portico and purpose built rooms by Cheadle and Harding. Red brick with
stone dressings and quoins and chanelled ashlar ground floor. Slated mansard roofs
with dormers; roof at angle steeply pitched in French style with cast iron cresting
and elaborate dormers. 4 storeys, attics and basement, 6 windows; then 5 storeys
2 windows to right hand angle which is canted with a single window to each floor;
return with blind bay and bay with 3-light canted bay window. Asymmetrically
positioned 2-storey tetrastyle in antis portico of engaged Ionic columns with
"Trinity College of Music" in frieze and central projecting pedimented porch having
enriched architrave to entrance with Greek key patterned over panel and rounded with
lyre. and swag enrichment to the frieze. Columns flank architraved sashes with
keystones on ground floor and casements with wrought iron balconies on first floor.
Segmental arched ground floor windows. Upper windows architraved; first floor with
cornices and continuous cast iron balcony (stone on return); second floor,
architraved sashes with cornices and open patterned stone window guards linked by a
band; third floor to right with stone aprons. Stone band at third floor level.
Projecting bracketed cornice surmounted by a stone balustrade; cornice continues at
fifth floor level on right hand bays. Interiors of interesting high quality
decoration and fittings. Entrance hall with oak paired fluted Aeolic columns
supporting a plaster entablature the frieze of which rests on the capitals whilst
the architrave passes behind; carved wood entrance doorcase surmounted by figure of
Pan. Arches with moulded plaster masks and stairs flanked by pilasters with bird
capitals. Oak panelled stair with turned balusters to upper flights. Ground floor
library in mid Georgian style with well executed Kenhan doorcases. Principal first
floor rooms, the concert hall and boardroom in semi-Grecian, semi-Adam style.
Boardroom with well executed frieze and cornice; chimney piece repeats Greek revival
tone of ground floor with anthemian frieze and pilaster capitals; good marble
fireplace. Adam style plaster ceiling. Concert hall panelled in oak to frieze
height with fluted pilasters. Plaster ceiling of Adam - derived rosettes set within
broad plain bands. Organ with carved oak case. Window fanlights contain stained
glass coats of arms of past presidents of the college by A K Nicholson. Other
Nicholson glass of interest is in the west windows along the staircase and in the
former library. Panels depict John Fornsete (composer of the earliest known written
piece of music in England), Geoffrey chancer Shakespeare, Samuel Pepys (this panel
contains a picture of the building in the right hand corner) and Henry Purcell.
Medallion portraits of Byrd, Gibbons, Lawes, Arne, Sullivan and Edgar. The glass
represents the connection between literature and music and is of considerable
interest as declarations of period of muscial taste.

Listing NGR: TQ2835681365

External Links

• Historic England Listing
• Wikidata Q27082207

External links are from the relevant listing authority and, where applicable, Wikidata. Wikidata IDs may be related buildings as well as this specific building. If you want to add or update a link, you will need to do so by editing the Wikidata entry.

Recommended Books

• 
  Drawing up a Local Listed Building Consent Order: Historic England Advice Note 6
• 
  Somerset: North and Bristol: The Buildings of England (Pevsner Architectural Guides) (Pevsner Architectural Guides: Buildings of England)
• 
  This Old House: Restoring, Rehabilitating, and Renovating an Older House
• 
  Yorkshire West Riding: Leeds, Bradford and the North (Pevsner Architectural Guides / Buildings of England)
• 
  County Durham (Pevsner Architectural Guides: Buildings of England) by Elizabeth Williamson Nikolaus Pevsner(1983-03-11)
• 
  Development and Design of Heritage Sensitive Sites: Strategies for Listed Buildings and Conservation Areas