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Roman Catholic Church of St Joseph

A Grade II Listed Building in Wool, Dorset

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Coordinates

Latitude: 50.6803 / 50°40'49"N

Longitude: -2.2257 / 2°13'32"W

OS Eastings: 384148

OS Northings: 86765

OS Grid: SY841867

Mapcode National: GBR 21J.83N

Mapcode Global: FRA 6778.STW

Entry Name: Roman Catholic Church of St Joseph

Listing Date: 13 December 2013

Grade: II

Source: Historic England

Source ID: 1416504

Location: Wool, Purbeck, Dorset, BH20

County: Dorset

District: Purbeck

Civil Parish: Wool

Built-Up Area: Wool

Traditional County: Dorset

Lieutenancy Area (Ceremonial County): Dorset

Church of England Parish: Wool, East Burton and Combe Keynes

Church of England Diocese: Salisbury

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Summary

Roman Catholic Church, built 1969-71, designed by Anthony Jaggard of John Stark & Partners; structural engineers L G Mouchel & Partners.

Description

Roman Catholic Church, built 1969-71 to designs of Anthony Jaggard of John Stark & Partners, with structural engineers L G Mouchel & Partners.

MATERIALS: constructed of handmade brick in an English bond and shuttered concrete, with a mineral render to the main body of the church, exposed brickwork to the various projecting elements, and a blue brick plinth. The shallow-pitched aluminium space-frame roof is clad in lead. There is a square lead-clad lantern with steeply-pitched sides to the roof which externally reflects the position of the altar, and is surmounted by a large metal cross.

PLAN: the church is orientated roughly west to east and is formed by a double square Mass hall comprising the nave and sanctuary; with attached lower blocks to the west and east containing a narthex and the sacristy and kitchen respectively. To the north side is the baptistery with the Weld family pew located above this, and to the south is the Blessed Sacrament chapel and a stair tower; all are expressed externally as curving walls.

EXTERIOR: the flat-roofed narthex occupies the full width of the church, and has a screen of alternating pairs of double doors and windows with aluminium frames; the brick side elevations are blind. The side walls of the main body of the church have vertical strips of glazing between pilasters that have chamfered copings. The upper parts of the glazing are contiguous with a band of glazing to the clerestory. To the north elevation, this is interrupted towards the east end by the partly-engaged curving brick wall of the baptistery tower. It has no openings, and set high in the brickwork are two concrete spouts to discharge water from the roof. The rear elevation of the lower sacristy block is built of brick with a glazed clerestory; there is a pair of plain doors to the centre. Beyond, the east end of the church rises above the lower block; its wall is rendered wall and has a clerestory. Along south elevation the Blessed Sacrament chapel and the stair tower are expressed as projecting circular brick towers of brick. There is a concrete spout to the upper part of the chapel wall and a second spout projecting from a pilaster just to the left (west).

INTERIOR: the interior of the narthex is a rectangular room with exposed brick walls and painted matchboard ceiling. The floor has rectangular concrete slabs. The main part of the church is accessed by one of three entrances: timber double doors to the centre and single doors to the aisles. The doors have narrow, vertical-glazed strips and shuttered concrete lintels. To either side of the central doorway are alcoves that are spanned by deep concrete lintels with segmental-arched soffits. That to the north has a fixed shelf, while the other contains a free-standing, T-plan confessional. It is built of brick, with a narrow window of blue-coloured glass breaking up the brickwork. Concrete slabs form the internal elements of the confessional.

The main interior walls are painted brick, except for the east end, which has exposed pale stone-coloured brick (pers. comm. Jaggard), laid in a header bond, and the exposed darker brickwork of the towers. The interior is dominated by the exposed aluminium Triodetic space-frame roof which is hand polished and finished with a clear lacquer. Its geometrical form is a two way, spanning, double-layer grid which is flat in the area of the sanctuary and slopes away to each end at an angle of 5°. The plain matchboard roof can be seen through the latticework of the structure. The nave has concrete pews with felt panels to the seat and back supports, and wooden tops. The lighting is provided by four box gantries running the length of the pewed area, and the floor is laid with quarry tiles. To the side walls are small built-in wall sconces of concrete with panels of coloured glass, and the original Stations of the Cross are set in the lintels above the lower windows. The circular and oval forms of the Blessed Sacrament chapel, and the baptistery with the Weld family pew over, are expressed internally and protrude slightly into the nave/sanctuary. Their sides are cut away beneath arched concrete lintels which form part of a concrete band to the upper part; elsewhere the brickwork is exposed. The Blessed Sacrament chapel to the south side of the church is top-lit by a circular lantern. To the right of the chapel, in a recess, is the organ gallery with a small C18 chamber organ in a mahogany case. The baptistery and Weld family pew is treated similarly to the chapel opposite, with a concrete band and lintel. The staircase is of tapering concrete slabs, cantilevered from the wall, and the metal balustrade taken up to form the balustrade to the upper floor which has a wooden handrail. Contemporary pew and belisha-beacon style lighting to the first-floor family pew, which is also top-lit by oval glazing. The sanctuary is defined by a raised square laid with quarry tiles with a border of larger square concrete slabs and a timber and metal balustrade to the sides, beyond which are aisles. The altar - a heavy stone slab supported on a black metal frame - stands centrally on a smaller raised square with floor tiles and a concrete slab border. It is lit from above by the pyramidal lantern. To the east wall are two shallow recesses with projecting concrete shelves holding painted and gilded wood statues of Our Lady and St Joseph; both are Italian. Two pairs of double doors, with the same detailing as those from the narthex, to either side of the statues give access to the two sacristies.

PRINCIPAL FITTINGS: in the Blessed Sacrament chapel is a welded steel and glass reinforced polyester resin Tree of Life sculpture with a Dalmatian pelican in its upper branches, by Geoffrey Teychenne; the high circular table, on which the tabernacle stands, is a later introduction. The silver crucifix in the sanctuary is also by Teychenne. It was originally centrally placed, but has been re-located to one side. A circular drum font is situated below the Weld family pew.

SUBSIDIARY FEATURES: to the north-east is a detached, two-storey RECTORY of buff-coloured brick with a slate roof and an off-centre ridge stack. The BOUNDARY WALLS to Dorchester Road and in the front of the church are of matching brickwork to the principal building, and have a brick capping and regularly-spaced brick piers. To the rear (east) of the church is the LOURDES GROTTO which was erected in 1991. It built of random rubble stone, incorporating small stones from Lourdes and Medjugorje, and concrete. These structures are all architecturally modest and are excluded from the listing.

History

Bindon Abbey, to the east of Wool, was founded as a Cistercian house in 1172. In 1641 the abbey ruins came into the possession of the Weld family of Lulworth Castle. At Lulworth, the Welds built the first free-standing post-Reformation church for Roman Catholic worship in 1786-7. A little later they built a house of retreat adjacent to the abbey ruins, with a first-floor chapel over a schoolroom, though the chapel was not registered as a place of worship until 1885. During the C20 the population of Wool expanded with the establishment of an army camp at Bovington, set up during the First World War, and the nuclear research station at Winfrith in 1957. In 1968 Sir Joseph Weld commissioned Anthony Jaggard of John Stark & Partners to design a modern church for the village. His design reflected the Guiding Principles for the Design of Churches According to the Spirit of the Roman Liturgy, published by the German Liturgical Commission in 1947 including a raised, free-standing altar, placed where the light was strongest, to give it a monumental character in relation to the rest of the building. Jaggard's design incorporated a lightweight Triodectic space-frame roof (designed by L G Mouchel & Partners, Bath) of aluminium that spanned the nave and sanctuary without any additional supports, thus providing a large, open space for worship.

The completed church was solemnly blessed on 1 December 1972. It was originally intended that the lower windows might be filled with stained glass but this was not carried out. The church has remained almost completely unaltered since its construction, apart from the slight re-positioning of some furnishings, the introduction of a fixed table for the tabernacle, and the replacement of the under-floor heating with wall-mounted heaters. The narthex which forms the west end of the building is used as a gathering and social space.

To the north-east of the church is a detached rectory, originally described as housekeeper's accommodation, and to the south is the Catholic primary school of 1969.

Reasons for Listing

The Roman Catholic Church of St Joseph of 1969-71 designed by Anthony Jaggard of John Stark & Partners is listed at Grade II for the following principal reasons:
* Architectural quality: a bold exterior employing exposed brickwork, a mineral render, vertical glazing and sparse ornamentation. It is a building of real quality in its materials, composition and detailing; 
* Structural interest: for the innovative use within an ecclesiastical building of a space-frame roof to provide a large, open nave and sanctuary;
* Interior quality: the interior contains good-quality fixtures and fittings and has an impressive simplicity of design.

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