History in Structure

Church of St Osmund and linking range to presbytery

A Grade II Listed Building in Gainford, County Durham

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Coordinates

Latitude: 54.5477 / 54°32'51"N

Longitude: -1.7358 / 1°44'9"W

OS Eastings: 417185

OS Northings: 516975

OS Grid: NZ171169

Mapcode National: GBR JH9V.ZJ

Mapcode Global: WHC5M.9YNH

Plus Code: 9C6WG7X7+3M

Entry Name: Church of St Osmund and linking range to presbytery

Listing Date: 19 September 2016

Grade: II

Source: Historic England

Source ID: 1431023

ID on this website: 101431023

Location: St Osmund's Roman Catholic Church, Gainford, County Durham, DL2

County: County Durham

Civil Parish: Gainford

Built-Up Area: Gainford

Traditional County: Durham

Lieutenancy Area (Ceremonial County): County Durham

Church of England Parish: Gainford

Church of England Diocese: Durham

Tagged with: Church building

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Summary


Roman Catholic Church and linking range to presbytery, 1853-5 to the designs of Thomas Gibson of Newcastle; reordered 1981 and refurbished 1990. Early English style. The attached presbytery and wall attached to its south-west are excluded from the listing.

Description


Roman Catholic Church and linking range to the presbytery, of 1853-5 to the designs of Thomas Gibson of Newcastle, with a painted decorative scheme to the roof structures by a church decorator identified as a Mr Henderson. Reordered 1981 and refurbished 1990. Early English style.

MATERIALS: local sandstone; graduated Lakeland slate roof.

PLAN: the church has a nave and sanctuary all in one, with a south porch and a linking range from the south wall of the sanctuary to the presbytery.

EXTERIOR: constructed of regularly coursed sandstone beneath a pitched roof of slate, with stone coped verges, triangular water-tables and a sill band. Windows and doors have hoodmoulds, mostly with foliate stops. The east end has angle buttresses and triple stepped lancets with a continuous hood mould and head stops. At the apex there is a small triangular light surmounted by a stone cross finial. The sanctuary is further lit by a pair of small timber-framed roof dormers. The body of the church has four bays separated by stepped buttress; the three bays of the nave are pierced by paired lancets and the single bay sanctuary has a single lancet. A single-storey stone-built range attached to the south wall of the sanctuary, with a pitched roof and a three-light pointed arch window, links the church to the presbytery. The buttressed and gabled west porch has a steeply pitched roof surmounted by a stone cross finial and a wide pointed-arched entrance with engaged columns. The buttressed west end has a pair of lancets with a small triangular window above and there is a single bellecote with a cross finial.

The attached presbytery and wall attached to its south-west are excluded from the listing.

INTERIOR: a high and open space with plastered walls and a carpeted floor, beneath which, the original floor surface is considered to remain. The high, arch-braced roof of eight bays is carried down low onto the nave and sanctuary walls, where the trusses rest on carved and painted stone corbels. The roof is arranged in three tiers and has a decorative scheme which is all small scale and consists of a wide variety of painted, coloured motifs. Above the nave there are floral decorations, HIS symbols, a crowned MR, fleur-de-lys and crosses. The sanctuary decoration is richer with emblems of the Passion and the Four Evangelists. The purlins all have black letter inscriptions, chiefly ‘ora pro nobis’ (pray for us),with a large variety of imprecations. The sanctuary also retains original panelling to the lower walls, and elements of the dismantled timber reredos remain: these include the ornate Gothic altar (brought forward), a pair of free-standing canopied, timber saints and the ornately carved and intricately detailed ogee tabernacle with ornate brass doors. The original octagonal stone font also remains. The windows of the nave and sanctuary have a full complement of stained glass by John and Joseph Gibson of Newcastle; it is of patternwork except for the east window which has stained glass depicting the Risen Christ flanked by St Osmund and St Thomas Aquinas, and the triangular W window has an angel holding a shield bearing the HIS symbol. The nave benches are considered to be original with L-shaped and rectangular ends. The link to the presbytery has a similarly painted roof to the church, with the ridge piece, rafters and wall plate having small foliate and geometric painted motifs and the purlins are decorated with text from the Roman Missal.

History


Thomas Witham established a mission in Gainford in 1852 after inheriting the family estate at Lartington in 1847. He built a presbytery in 1853, followed by a church, the foundation stone of which was laid on 23 August 1854. The church was designed by Thomas Gibson of Newcastle and the roof paintings in the church and linking range to the presbytery were executed in 1855 by a Mr Henderson, a church decorator. The church opened on 26 June 1855. Set into the ground at the east end is a rectangular stone outline considered to be the position of an un-built chancel. The sanctuary was reordered in 1981 when the pulpit was removed and the font re-located; it was probably also at this time that the original reredos was dismantled and elements re-sited as free standing pieces. A major renovation of the interior took place in 1990 when new heating, lighting and a carpet were installed.

Reasons for Listing


The Roman Catholic church of St Osmund of 1853-5 with later additions of 1862 and 1910 and the attached linking range to the presbytery are listed at Grade II for the following principal reasons:
* Date: an relatively early Catholic church conceived and constructed before the Restoration of the Hierarchy in 1850, after which Catholic church building proliferated;
* Decorative scheme: a remarkably extensive and complete painted decorative scheme is retained to the roof structures of the church and linking range;
* Architectural interest: it has a pleasing Early English Gothic design with a bellcote, by a known regional architect which is complemented by the impressive interior space.



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